Tuesday, 21 April 2009

tumut


Tumut is a pretty town...with a few quirks. that haze in the picture above is due to the chaps at the Parks service starting their annual burn-off just in time for the Festival of the Falling Leaf
 

must have been quite a challenge for HC Stenning to have laid this stone, especially as the rest of the building consists of timber-framed corrugated iron?


the railway station lies abandoned [and yielded a treasure trove of iron fragments]


could have happily taken the incinerator home...


a nice juxtaposition of interestingly textured walls



a deliciously leopard spotted fragment of wool sliver, dyed whilst resting in a colander inside a pot of leaves...

a national treasure


last Friday, on the way to Tumut [in New South Wales] for the felt and dye workshop, i took a small [140km] detour to Tumbarumba 
to visit the Pioneer Women's Hut


where i was given a lovely cup of tea and several caramel chocolate biscuits [by the lovely Jan who had come especially to open the Museum out of hours] and allowed to wander and take photographs to my heart's content


the collection embraces the National Quilt Register as well as extraordinarily beautiful items such as handmade wire pegs, water cans constructed from kerosene tins, buttons, household furniture
boxes of mending
drawer upon drawer of lace doilies
and jug covers
 

a shelf that runs around the Museum is clad in a decoratively cut newspaper border



an enormous gum leaf takes pride of place above the teacosy-clad mantel...

well worth a visit [even without caramel biscuits!]

Monday, 13 April 2009

dreaming of barefoot forests





when it's dry and dusty at Easter [and should be soft, misty and damp underfoot here at this time of year] the alchemist retreats into dreams 
luckily the solidago in the ditch by the road-to-somewhere else is just as vigorous as it ever was
despite the Big Dry

and despite the generous applications of weedkiller sprayed on by council workers
so i've been harvesting in passing
and have a green cauldron brewing

meanwhile felt and stitch and lovely fragments of cloth have been coaxed together in a makebelieve mossy carpet 

Friday, 10 April 2009

into the wild, again



on Friday i'll be lugging my elephant to the airport again. i call it the elephant because it's big and grey, mostly cooperative but occasionally recalcitrant. 

"it" is the wheeled behemoth that carries the accoutrements of the wandering alchemist. sometimes i dream of times past when i travelled with a small rucksack. it's not clothes taking up space, but the small cauldron, the samples and the reference books alongside the waterfilter [that saves me buying bottled water], the sturdy footwear required when dealing with pots of hot stuff and my travel blanket [a woolly comforter dyed with leaves from the farm]

this time it's Tumut, a place i haven't been to for eons...and the journey there will be slightly more adventurous than simply being transported in the flying sardine tin. i'll fly into the nation's capital and sally bravely forth in a hired chariot

being independently mobile gives me ample opportunity to gather windfalls and weeds along the way and to stop for walks into forests and contemplative moments by rivers

they tell me there are still one or two places left in this workshop. 

so if anyone out there has nothing much planned for the 18th&19th April and feels like dyeing sliver in aromatic eucalyptus baths, making a small but intricately patterned felt rug and hearing the alchemist tell stories...

please contact Cheryl [one of the kindly organisers] via

tumutbookshop[at]hotmail[dot]com

Friday, 3 April 2009

April not-quite-in-Paris


it seems the London workshop planned for April 25th & 26th has filled...and although i had planned just to take a very long walk while waiting in UK for the other business on which i'm travelling to sort itself ...

there is now talk of a possible workshop in Belgium.

if there's any chance you live there [or in a neighbouring country!] and would be interested in taking part in an Eco Colour workshop on Wednesday 29th & Thursday 30th April please let me know - i'm still wrestling with the mathematics at present and it's necessary to have at least 10 people to cover costs...

mail[at]indiaflint[dot]com     will reach me

it's ridiculously short notice i know, but worth a try...

Wednesday, 1 April 2009

lightfastness and other things



it's been brought to my attention that i [apparently] have paid insufficient attention to 'lightfastness' in my book. should i perhaps have done a lightfastness test for every dye plant that passed through my hands? hmm. i'd still be working on the manuscript if that were the case

let me put this into perspective

back in 2006 at the UNESCO natural dye symposium in Hyderabad a lot of industrial dyers were getting similarly hot under the collar, demanding standardisation of dyes and colours and conformity to set guidelines. there was a lot of spirited discussion.

my favourite contribution was that of Monsieur Coulibaly [forgive me if the spelling of the name has become somewhat tarnished with distance] who stood up from his seat wearing the beautiful costume of his homeland [Mali] and in perfect Parisian French succinctly addressed the assembled gathering...

[here's my translation, a little abbreviated]
Ladies and Gentlemen,
"look about you...we are all different. our skin and hair are different colours, we wear different clothes. as we age our hair turns white, our skins wrinkle and our teeth fall out. this we cannot change, but our clothes can be dyed again" 

and this is what Eco Colour is all about. dyes and dye plants differ from one region to the next. indigo grown in India yields a different blue to indigo grown in El Salvador. eucalyptus species cultivated in the UK won't necessarily give the same colour as the same species grown in Australia.
and what works well in the water available here at Hope Springs doesn't necessarily work the same way elsewhere [for example ice-flower blues were completely eaten away overnight by chemically treated water at Paraparaumu in New Zealand] . so why fuss? some colours will be substantive, others not...when things fade, re-dye them.

one genus that does however remain true to form is my friend the eucalyptus. while the shades achieved might differ depending on the quality of the water used, the colour itself when applied to wool is pretty much bombproof. at Spinexpo in China last year one of my ecoprint scarves was cheekily [and secretly, apparently] tested for washfastness - and came up with a rating of 4.
what does this mean? i'm not exactly sure, but given 5 is the top of the scale, and 4.5 is the maximum ever achieved, a 4 for eucalyptus applied to wool without adjunct mordants is pretty good.



and when one considers the wee scrap of wool that lives wrapped around my wrist has been there since December last year and has been in oceans and under showers and out in the sun with me, i don't think it's doing too badly either... 

Tuesday, 31 March 2009

the fabric of society



i have terrible trouble with bookshops. somehow books attach themselves to me like magnets and beg to come home. this delightful book leapt at me recently in that mecca for booklovers, Kinokuniya in Sydney.

Annette Gero has collected exquisite images of all sorts of quilts i never knew existed along with photographs of the makers and stories about the making.
another source that's recently come to my attention is the International Quilt Study Centre and Museum.  located in far distant Nebraska this museum can be browsed over a cup of tea via the internet.

well worth a visit... 

Thursday, 26 March 2009

handle with care



these beautiful hands belong to Humna Mustafa with whom i will be exhibiting in Following Threads, an exhibition being curated by Maggie Fletcher for the Adelaide Festival Centre Artspace [to be shown during the OzAsia Festival September - November 2009

Humna draws exquisite designs on hands [and also on silk] with henna. during the recent Womadelaide music festival the queues of people waiting to have their hands adorned apparently snaked off into the sunset. 

small wonder. 

visit her pages to see more of her work...

Monday, 23 March 2009

unexpected gifts



it's a gift when a student comes back for a second helping of workshop and even more so when the student has been working all weekend and produces a sample like the one above

all those delicious colours and patterns produced in a single dye session

absolutely magic!