running red lights on memory lane

so i was looking for something yesterday 

(which i didn't find yet)

and while i was rummaging 

i found some old photo albums

from a time when pictures were regularly printed

when i made collages by cutting and pasting

not Photoshop (which hadn't been invented yet)

i found pictures from nearly thirty years ago

when my friend Yasmin (with whom i also shared a house) and i

co-taught for the former Arts Council of South Australia 

(which has now been reincarnated as the Country Arts Trust)

and went out on the Tea and Sugar train

with an exhibition of T-shirts

hand-painted and screen printed by South Australian artists of the time

(don't ask me why there are Flake bars sticking out of my ears

i have no idea)

 we went to Cook, Barton and Tarcoola

Hawker and Maree

(all in the arid lands of South Australia)

 and taught workshops in lino-printing and hand-painting t-shirts

at Tarcoola, the teacher of the 15 student school

happily dumped them all on us

and went off to the public house

that was the day we realised we should have packed a first aid kit. 

all we had for cut fingers was masking tape and toilet paper

i fancied myself a new David Hockney

sticking pictures together

which is why Yasmin appears twice in this one

back then i also had a dog with a spirit eye

and a very silly haircut.

we were too young to know better

threw mad parties

drove too fast

danced too long

sang too loud

they were very fine times

and

we are still friends

i'm glad i was there

argentina

image borrowed from : http://www.gondwana.geologia.ufrj.br/

the idea of Argentina has been on my mind for a while

every now and then an email drifts in across the oceans

asking if i will come. 

yesterday i decided to put a ring around some weeks in the calendar

thinking maybe the last week in November, first week of December 2016 

i would need to teach four lots of three day classes to make the trip work financially

(the fee for one class wouldn't even cover the airfare across the big puddle)

but it will be exciting to meet the flora on the other side

and to expore the Gondwana connections between our countries

and though there is interest in the basics of ecoprinting

i'd love to offer a 'being (t)here' class too

so

if you are in Argentina

(or would like to come from elsewhere to meet me there)

and if you are interested in taking a class

please either let me know in the comments below

or better still (because then i will have an email address to write back)

please drop me a line via my

contact page

and perhaps tell me what you would most like to learn?

 

 

blue notes and life lessons

life lessons. 

learn to expect the unexpected. 

you'd think that by now i would have that firmly tattooed inside my left eyelid. 

I have to confess I was humbled by the indigo vat last week...which for the first time since 1991 (the year I first dabbled in the blues) decided to behave like a bit of princess and consequently was a little slow to reveal the magic. 

pale blue instead of brilliant blue.

With the wisdom of hindsight I should have put the freshly prepared vat to bed overnight wrapped in quilts and blankets but foolishly (possibly thinking hey, it's summer) left it out under the stars overnight. 

An extra 24 hours and a bit more warmth yielded truly lovely results, sadly too late for my forgiving students (and me) who had already dispersed with the four winds - but very happily for Judy (see blue hand below). It certainly reinforced the rules of indigo, which likes to be warm and wellfed, just like the rest of us. Didn't do a great deal for my self-esteem, but I'm sure the Dogs Above had their reasons. I sure hope they did. The inner bear took a bit of a pummelling.

At least all present were very happy with their metalwork (guided by Roz Hawker), received the magic of string (learned originally from Nalda Searles), loved the fabulous food (thank you Chloe Keylock), revelled in the gorgeous surroundings (thank you Michael and Judy Keylock) and enjoyed the dog therapy provided by the ever joyful Molly.

photo by Michael Keylock

I'm taking my lesson in the spirit of the wisdom below 

(thank you Michael for bringing it to my attention)

and have come home to more wise words from another Michael 

(image borrowed from the Michael Leunig appreciation page)

the teapot of constancy is filled with Lady Grey tea, 

the dog of sanity (who slept on my bed last night) is by my side. 

Admittedly the armchair of philosophy needs serious re-upholstering and the rug of constancy could do with a vacuum and possibly a good beating but the vase of tranquility is full of jasmine

and happily every day is a new beginning.

 

to Sweden, from the Deep South

back home on the farm with a few days to finish dyeing a collection of dresses that are going to Sweden tomorrow

Sweden?

yes indeed.

when Li Edelkoort and Philip Fimmano ask you to put together a few things to take part in an exhibition at short notice...you don't say no.

so of course I said yes please, how many pieces would you like?

the answer came back : seven dresses with big skirts

dresses with big wild skirts are my favourite things to make.

Kubbi lent a paw and in between supervising me pootled off for a swim with Uncle Boston and Auntie Molly

Willow [also known as Mrs Poo] prefers to take her baths without water.


so now i have seven dresses in the cauldron. Kubbi helps me gather sticks to feed the fire.
then they need to cool and dry before sending off tomorrow. i'd have preferred to leave them bundled for longer but as i'm hopping on a flying sardine can headed for my beloved Aotearoa early next week it's not practical : they need to be photographed for the catalogue before they go in the mail

although it's a group exhibition [there are twelve of us] this is a big event for me...
because it will also be the first time that a series of my photographs will be exhibited in Europe [as a backdrop to the dresses].

the show is at Artipelag, a museum on an island near Stockholm and runs February 6 - May 3, 2015

rhapsodies in blue

it was easy planning my clothes for this trip

all i had to do was throw anything blue into the suitcase

and then at the other end

take a daily lucky dip and wriggle into it

[too hot and steamy for boots]

packing the materials was another thing

handstitching indigo-dyed ecoprint bags

and stuffing them with selections from my cloth collection

was fun

[though i will say counting beads can be confusing for a bear]

and happily the baggage-mishandlers did not play football with my suitcase

because the blue-and-white teacups that were to stop the beads rolling off the tables all happily arrived intact.

Roz and i both brought fabrics from our homes and had a glorious time decorating the workroom on the afternoon before class

our wonderful host Tarla had grown all sorts of indigo-bearing plants

as well as madder [which is most useful in reducing an organic vat]

 you could almost think you were in Japan, with such fields

Tarla and her daughters prepared delicious food for us

with fresh ingredients sourced from the garden

where a Satin Bower Bird had busily gathered blues

from the surrounding district

 we looked at ways in which we could bring our blues together

sharing stories about the meaning of this beautiful colour

reading a little poetry

considering what the colour meant to us as individuals

 we stitched, experimented with fresh indigo

worked with the metals that Roz had brought

made string

and at the very end

overdyed the finished pieces in the gloriously rich vat

that Tarla had prepared earlier

thank you, all of you, for making it such a splendid three days

not yet saturated with the blues?

here are more stories

Roz's version

and

a few more links via our shared blue bower

inspirational

 

thank you John Hopper for including me.

inspired to read?

it's available here

from January 14

out (t)here

 New Year, New Ideas...

photo by Dorothy Caldwell

you may have heard that i have a new friend

photo by my Ma

already we are getting into the habit of doing things together.

i have a hefty overseas itinerary for this year [planned before Kubbi's surprise arrival in my life] but once we've weathered it, i will be shortening my foreign excursions and spending more time in the Deep South.

having a roadtrip companion opens new doors. sleeping out in the desert on my way home from Tamworth was lovely but it will be so much more delightful to be sharing supper and my swag [that's a bedroll for those of you not familiar with the term] with my dog.

how satisfying it is to be able to write that..."my dog". [who is snoozing beside me on the sofa as i write]

Kubbi will be joining me at dog-friendly places including the lovely Crockett Cottage Studio at Mansfield in November and on a journey to the Flinders Ranges, a region that has inspired many artists including Hans Heysen, Imants Tillers, Antony Hamilton, Kay Lawrence, Dorothy Caldwell, a host of 19th century explorers gifted with drawing skills...and of course yours truly.

Barbara and Warren Fargher, the owners of beautiful Wirrealpa Station have several times suggested that they'd be keen to host a workshop group and even floated the possibility of holding an exhibition of work derived from being "in place" there.

so between us we have come up with an idea.

a journey to the heartlands.

the adventure will begin at Port Augusta, South Australia, where participants will board a mini-bus for the spectacular drive to Wirrealpa where we shall be staying in the historic shearer's quarters [which means i will be up at dawn chopping wood for the donkey that heats the shower water].

during the week we will have time to wander; to stitch, paint and draw, to construct sculpture from found objects, to write and to take photographs. there'll be a dyepot or two going. you'll be well fed. the week won't have a formal workshop structure, but is planned more as a rich opportunity to be nourished by this remarkable region.

we will begin in the mornings with discussion about possibilities and then you'll be free to explore these at your own pace. in the evenings we will gather about the long table in the cookhouse with a glass of wine and share the doings of the day. there will be excursions to view ancient petroglyphs and also a spectacular ochre valley, both sites of great cultural significance.

i'm so excited to be able to share this beautiful country with you!

the dates will be around October 19-23, 2015 and i'm still working out the budget and other details [there are no local supermarkets...everything will need to be brought in with us] but i am taking expressions of interest. please drop me a line if you think this might be for you.

more than i expected!

well thank you, all y'all who have written to ask about
being (t)here in New Orleans

the flood of enquiry was a surprise and a delight - the sort of response that makes me want to leap out of bed in the mornings and dance about in me nightie!

now just to clarify...you will have to find your own accommodation

but there are lots of lovely places to stay.

as a visitor i'd be looking for somewhere in the Bywater, Marigny, Treme
and then [if you have not a bicycle or other wheeled transport] you can just catch the 88 bus down St Claude
hop off at Caffin Ave
and enjoy a lovely walk southward [well, technically south-southwest] to reach the Chateau

announcing New Orleans (and a bit of a personal reality check)

it's been a big year.

i've exhibited in New Orleans, Atlanta and Minneapolis (USA)
Evoramonte (Portugal)
Barossa Valley, Port Augusta, Adelaide, Murray Bridge and Tamworth (Australia)

i had work acquired by the Art Gallery of South Australia and was rejected by the Waterhouse Art Prize

self-published a number of books and taught at least nine workshops around the whirled.

which seemed like a reasonable achievement until i clicked a link to Amazon from a friend's sidebar and read the critiques for Eco Colour which is apparently a self-indulgent waffle with no useful information AND in which (according to the several reviewers) i apparently endorse the use of chemical adjuncts "without the specific caution that these are quite toxic".
i don't recall that at all. but clearly i am getting old and batty as well as being "somewhat prickly and seems to be the Self Appointed "Green Police" "
sigh. 

the good news for those people is that i have very recently been blessed with a dog and so will be limiting my travelling to much shorter sorties (after i get through 2016) to stay home and be with her so our paths are far less likely to cross.

at the same time i'll be making a serious effort to get my novel together. BE WARNED. it has stories, contains my favourite food recipes and has been completely self-indulgently written in my own voice so if you didn't like Eco Colour or Second Skin avoid it like the plague and don't say you weren't warned.
rather than attempting to complete the trilogy and writing a book about pattern-making i'm building all that into the story too.
(note to self  :  do not read critiques of novel if/when it is eventually published)

+ + +

if, on the other hand, you are not one of the above and willing to brave three days in my company in New Orleans in September 2015

i can tell you that i shall be offering a compact intensive version of 'being (t)here' in the marvellous Chateau Curioso, down near the lazy river, in the lower 9th ward

the class involves drawing and writing as well as the dyeing of cloth and paper and the making of a beautiful 'island book'. it is about being in place.

dates : September 4,5,6

the cost will be US$700 and i will be brewing a daily cauldron of soup (with accompaniments) for our lunch. some materials will be supplied but there will be a small list of things to bring. by and large we shall be working with treasures we find in the local area

if you are keen you may secure your place with a non-refundable deposit of $100*
drop me a line via my contact page if you'd like to sign up

* in the event there are insufficient takers for the class i shall refund your deposit in full