Showing posts with label pictures. Show all posts
Showing posts with label pictures. Show all posts

Tuesday, 5 April 2016

riding the rails






i deliberately scheduled a railway journey into New Orleans at the conclusion of our wandering in the land of enchantment. somehow i knew that i was going to need a good bit of thinking time, undisturbed by too much making or doing and preferably without the need to concentrate on driving
so
on April 2 i found myself sitting in a railway station
with a ticket for my destination
humming a song about being


none of which is true for me but
it's one of those songs that has stood the test of time

:::

i had secured a roomette to myself
and so could loll about in it in comfort
watching the whirled go by
and making soothing noises to myself
on the cedar flute newly acquired in Santa Fe

also
i made pictures with my batfone.
which was most entertaining, despite the fact that one of my favourite apps,
Autostitch, doesn't seem to work on the most recent version of the Fruit phone
 so i played with the Panorama setting instead 
which can be amusing on a moving train.

also i wrote.
the 31 hours on the train were enormously productive.

train travel allows the spirit to sit quietly on your shoulder
(it can sometimes fall off and get lost in flight)
at night i lay gazing at the stars until i was 
rocked to sleep in my little cradle shelf.
at some point in the night i awoke to see one streaking across the sky
in the hours before dawn the waning crescent moon rose 
i caught glimpses of my favourite constellation, the Pleiades.
train travel also allows poems to find you (sometimes when they stand by the roadside waiting with their thumbs out i'm simply travelling too fast to stop in time)



train travel can also put you into interesting social positions.

i discovered to my surprise that my ticket included meals.

on the first evening i shared dinner with a gentleman who had driven across America with his father because he didn't want his dear old dad driving a pickup across the country alone to his new abode in the Pacific North West. the trip back home was his first ever train ride. i think he said he had been on a train for four days already.
happily he was still enjoying it.

for breakfast i was directed to a table at which sat an older couple, on their way to share birthdays in New Orleans. they were quite clearly well off and seemed sweet but reduced me to the state of a stunned mullet when they left the table and he scooped up half the tip i had left for the server. (he had put down $5 for the two of them, i put down $4 for me and he then took $2 from mine. basically robbing the server).
i am rarely rendered speechless but by the time i had found my tongue they had gone.

my faith in humanity was restored by sharing lunch with a brother and sister (he slightly disabled, she taking him home from the west coast to live with her in Mississippi). i think, but i am not sure, that they were both adopted. the other person at our table was a grandmother of eighteen grandbabies who cheerfully announced that she was living day by day due to a brain tumour which, as she told us, had to be managed by "opening up my head every three years and scraping the surface back because the can't take it out" and that after that procedure she has to learn to walk and talk again but that the pain was worth it and she's just grateful to be here. 


the train crawled into New Orleans at sub-glacial speeds, which is probably just as well as the tracks are in a sorry state. and today, seeing the wobbly wooden trestles that the double-decker train had been balancing on, i was grateful for the slowness. 
(last night i was not so sure)


Sunday, 26 April 2015

re-treat to Tin Can Bay

seven days ago i fell out of bed at 4am to catch an early flight to Queensland where i was met at the airport, given a cosy corner in a comfy back seat and (between snoozing and waking and a delicious lunch) transported further north. 

by the time we reached Tin Can Bay i had been very firmly asleep (and quite possibly making bear noises) for at least twenty minutes - waking/arriving and wandering across to this view had a rather dreamlike quality to it


it was Roz's idea to offer a retreat at Tin Can Bay - she's been familiar with the area for over thirty years, so her offering to share the magic was particularly kind. i had only been there once before, for one night some five years ago. this was to be as big an adventure for me as for the others who joined us there.

i've long had an affinity for tidal areas but have come away with a new love...mangroves.
 everything about them is beautiful...the way their long seed pods line up in the waves
the tidelines drawn by their crumbling leaves (punctuated by more recently fallen leaves toasted orange in the sun)
the seedlings growing from well-fallen seed pods that have managed to plunge their way into the mudflats and take root
while other roots fingered their way upward from beneath
drawing another story on the sand

this was a time to wander
consider
experiment
sample
be still
and listen

and though participants drew, painted and wrote
made bowls, bundles and bags
for me the important thing about the days spent there was not the production of finished objects
but the intangibles
the things that cannot be quantified, described in words, photographed or sketched
seeds that were sown to sprout and bloom, who knows where, who knows when. rather like the mangroves.

so i will hand the last word to Bill
whose writing is as fresh as when the ink first dried on the page so many years ago...
these found by chance through randomly opening a page in a book acquired by one of our number on the first leg of the journey homeward.





Sunday, 5 October 2014

back country, back story



http://moleskine.milkbooks.com/flip-book/default.aspx?ProjectId=f66b2de5-9ab9-46af-bd8f-ca6805c8db03&OId=75621&OLId=1333176&time=1412462191457

if you click on the image above it should take you to the Moleskine site
where you can read the back story to back country online

when i receive my print copies
of which there will only be three
i will be annotating them in pencil and ink
one for the gallery
one for me
and one to go across the seas

Friday, 3 October 2014

coming soon

i've been working on the booklet
promised to participants in the Second Skin classes
that will take place in lovely Mansfield, Victoria
in November this year

which contains explicit step by step instructions
on how to print on cloth and paper with leaves

string me a story on shapeshifting
will be 32 pages of ideas
jumping off-points
sketches and photographs

i'm hoping Second Skin participants will add to their copies
by writing extra notes in the pages
perhaps even tipping in a few extra ones
adding their own drawings
the odd swatch
other inspirational images
so that it becomes a highly personal working tool

this will be a strictly limited edition
100 copies only
numbered and signed

testing the water for that other publishing idea
that i floated a while ago

and Sidnee?    i owe you a dress [as well as the first copy of the above]
...those pix i shot of you in Portland last year 
have been getting a hammering
also
i think we need to do another photo-shoot
in New Orleans
now that would make a fabulous publication
just sayin, is all

Wednesday, 16 April 2014

woooooot!!

it's done!
now 2.41 am in the wee small hours of the morning
but
i am off to bed
because
the student celebration book is done.

on a wandering wind


if i've messed anything up, please forgive me
but i've done my best
with the materials supplied

and because it weighs in at 216 pages
which makes it rather pricey in the paper version

i've also made it into an ebook
- the only drawback being that some of the image sizes had to be reduced
for better viewing on "retina displays"

so thank you, those of you who sent in pictures and words.
i hope you like it!

Thursday, 26 December 2013

i made y'all something special for Christmas...




back in January of 2011 i set up a few experiments in order to test a theory about the alchemy of archaeology. the first results were unpacked in the middle of 2012
and now
right at the end of 2013
i've put together a book.

quite a few of you have asked for online classes
but somehow i couldn't yet bring myself to do that
so, being a little old-fashioned, i've written this little book instead.

it contains a technique you can do even in the smallest of apartments
and that i think you will want to do over and over again.

i was thinking about the mould problem that occurs while we wait patiently for bundles to ripen
and about the chewing-and-running-away-with problem that has popped up when certain puppies decide to play
and about how hard it is to wait
unless
we secure our bundles in such a way that they look so gorgeous we will be able to resist
and the good thing is that this process produces brighter results from those delicate anthocyanin-rich leaves





stuff, steep + store
is 48 pages, 10 x 8 inches so it fits easily in a bag
costs a good deal less than it does to attend a workshop and you can read it in the bath.






Tuesday, 12 November 2013

ai = love

i worked all day saturday
and then on sunday
i thought
i will just pop in and do a few stitches
and then i will go out and wander somewhere
take a look at Portland

the Dogs had other plans
when i looked outside
it looked like this

that window is my studio
i think it may be
that i am in love with blue
it is a colour that takes me to a quite specific place and time
James Tate wrote beautifully about it
[click on the audio icon to hear the poem being read aloud]
there's a good reason why the Japanese word for blue is the same as the Japanese word for love 

or so i have been told.

today i was thinking about our blue planet
and how the maps we have available are always too small
especially for someone has left footprints on four of the seven continents [gazing at Egypt from the deck of a boat on the Suez Canal as a toddler sadly doesn't count as stepping in Africa]; who keeps a bicycle in New Orleans, a cat in South Australia, her heart in San Francisco and "einen Koffer in Berlin"       ##
 
so
i played around in Photoshop
and made a map that is really useful for planning trips
because
it allows you to compare distance easily with a piece of string [well, except for the curly bits around the poles] and goodness me, what a lot of blue!!!!



got any good maps you'd care to share?



## i plant trees to make up for all this wanton wandering...

Sunday, 7 July 2013

a LOT of pictures of the big apple

i have a confession to make.
i have been in New York since yesterday morning
and not set foot inside a single museum

instead i am living in the present
taking note of the everyday
and wearing out my boot leather hoofing it around town

blessed be the waitress at the Diner on 9th avenue
who made my day by asking to see proof of age before supplying me with a margarita


even though i am as wrinkled as the vinyl on that chair
 she probably just forgot her contacts
but it made my day




New York is full of marks and signs
delicious bookstores and really interesting clothing stores
like Mieko Mintz, where Eiko kindly let me take her picture
loved the road markings laid out in ducktape

 who knew that wedding gowns had a season
and that they were stored when it was off





























the boots have the last word